Dig deeper, listen longer

Styles Waiting to Be Rediscovered

Whole genres that fell between the cracks, and the records that pull you back in.

How a genre gets forgotten

Genres rarely die because the music was bad. They fade because the records were pressed in small runs, sold in one country, made for a purpose other than sale, or simply went out of fashion before anyone wrote them into the history books. Then, years later, a collector finds a stack in a warehouse, a producer samples a break, a reissue label licenses the masters, and suddenly a whole style is alive again.

Below are eight that we keep coming back to. Each row gives you the basic idea and a record to start with.

  • Library music
  • Zamrock
  • Anatolian rock
  • City pop
  • Minimal wave
  • Exotica
  • Sunshine pop
  • Italo disco
  • Library music

    Production music recorded for TV, film and advertising, licensed to producers and never sold in shops. Labels like KPM and De Wolfe hired top session players, and composers such as Alan Hawkshaw and Keith Mansfield wrote funky, cinematic cues by the hundred. In Italy, Piero Umiliani made library records that are now prized by collectors. Hip-hop producers mined these LPs for breaks for decades.

    UK · Italy
  • Zamrock

    In 1970s Zambia, young bands mixed fuzz guitars and garage-rock energy with local rhythms. WITCH (short for We Intend To Cause Havoc) were the stars; Amanaz's Africa (1975) is a perfect starting point. Original pressings were tiny, so reissues are how most people hear it.

    Zambia
  • Anatolian rock

    Turkish musicians fused psychedelic rock with folk melodies and the saz. Erkin Koray is often called a pioneer of Turkish rock, while Selda Bağcan's protest-tinged records and Cem Karaca's work with Moğollar are essential.

    Turkey
  • City pop

    Glossy, jazz-inflected Japanese pop from the late 1970s and 1980s. Tatsuro Yamashita's For You (1982) and Mariya Takeuchi's "Plastic Love" (1984) found huge new audiences online decades after release.

    Japan
  • Minimal wave

    Cheap synths, drum machines and home recording in the late 1970s and early 1980s produced cold, catchy, often self-released records. Veronica Vasicka's New York label Minimal Wave has spent years tracking down and reissuing them.

    Europe · US
  • Exotica

    Mid-century American lounge music dreaming of faraway islands. Les Baxter's Ritual of the Savage (1951) and Martin Denny's "Quiet Village" (1959), complete with bird calls, are the classics. Kitsch, yes, but beautifully recorded.

    US
  • Sunshine pop

    Late-1960s harmony pop with lush arrangements. Sagittarius' Present Tense (1968), produced by Gary Usher with Curt Boettcher, and the records of The Free Design sound like a sunnier alternate history of the decade.

    US
  • Italo disco

    Synth-heavy European dance pop from the early 1980s. Klein + M.B.O.'s "Dirty Talk" (1982) influenced early house producers in Chicago; Gazebo's "I Like Chopin" (1983) was a continental hit.

    Italy

Eras and genres at a glance

EraGenreWhereStart with
1950sExoticaUnited StatesMartin Denny — "Quiet Village"
1960s–70sLibrary musicUK, Italy, FranceKPM 1000 series LPs
Late 1960sSunshine popUnited StatesSagittarius — Present Tense
Late 1960s–70sAnatolian rockTurkeySelda Bağcan — Selda (1976)
1970sZamrockZambiaAmanaz — Africa
Late 1970s–80sCity popJapanTatsuro Yamashita — For You
1979–1985Minimal waveEurope, USMinimal Wave label compilations
Early 1980sItalo discoItalyKlein + M.B.O. — "Dirty Talk"
Stack of faded vintage record sleeves photographed close up with shallow focus on the spines
Reissue labels are the unsung archivists here.

Getting into a genre without getting lost

The fastest way into an unfamiliar style is a well-curated compilation. Somebody has already listened to hundreds of obscure records and chosen the best twenty. Labels like Numero Group, Light in the Attic, Soundway and Finders Keepers write proper liner notes, too, so you learn the names worth following.

Once a compilation hooks you, pick the two or three artists you liked best and find their full albums. That's where the real depth is. Then check who produced them and which label released them, and keep going. One genre a week is plenty; let it sink in before moving on.

For the places these styles grew up, see local scenes around the world.